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Fans felt shock over 26 episodes. The deal, revealed Oct. 24 by Deadline, hands Netflix first-run rights for the Victorious spinoff Hollywood Arts and moves the series off Nickelodeon’s initial-first-run plan. Production began with a table read on Oct. 14 in Vancouver and Netflix has ordered 26 episodes, with a planned 2026 premiere before a second-window on Nickelodeon and Paramount+. That shift matters because it signals streaming-first premieres for legacy kids IP; could this remake how teen sitcoms get funded and discovered? What will change for viewers and creators?
What this Netflix premiere means for teen TV and brands in 2026
- Daniella Monet will reprise Trina Vega, and Netflix ordered 26 episodes, Deadline reported.
- The series will debut on Netflix in 2026, then reach Nickelodeon and Paramount+ in a second window.
- Production began with a table read on Oct. 14 in Vancouver; multiple young leads were cast earlier this year.
Why the 26-episode Netflix move matters for streaming windows
This licensing pivot arrives after the Skydance-Paramount merger and executive exits, creating an opening to sell Nick IP elsewhere. Legacy teen shows can still drive big catalog viewership – Deadline notes Netflix already logged 45M Victorious views since 2024 – and this deal shows studios may prefer cashing IP out to streamers first. Short sentence for scanning. If you loved the original, expect nostalgia-first marketing and more cross-platform windows.
How fans and creators widely reacted to the Netflix licensing move
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Daniella Monet framed the choice as both personal and strategic, saying the chance to “steward anything close to that is a feeling I can’t begin to describe.” Fans online celebrated the return; some asked whether original leads like Victoria Justice will cameo. Short sentence. Below is a direct industry post confirming the Netflix first-run arrangement.
‘Victorious’ Spinoff ‘Hollywood Arts’ With Daniella Monet Returning Ordered at Netflix
In an unusual arrangement, the show will debut on Netflix in 2026 followed by releases on Nickelodeon and Paramount+.https://t.co/CAfkt48xy4 via @variety
— Todd Spangler (@xpangler) October 24, 2025
Monet’s quote underlines emotional stakes for original cast and viewers. Will cameos follow? Many fans are already campaigning on social platforms.
Which numbers prove this deal shifts kids TV economics in 2026
Streaming platforms still value nostalgic IP: Deadline says Netflix’s Victorious catalog amassed 45M views since early 2024, creating clear demand. Short sentence. Studios now see streaming licensing as a revenue-first strategy rather than holding every first window in-house.
The key numbers behind the streaming shift for teen IP in 2026
| KPI | Value + Unit | Change/Impact |
|---|---|---|
| Episodes ordered | 26 episodes | First-run on Netflix, bigger production slate |
| Catalog demand | 45M views | Proven audience for Victorious on Netflix |
| Premiere timing | 2026 | Shifts windowing to streaming-first |
What will this change mean for fans, creators, and kids TV in 2026?
Expect more legacy IP to be packaged for streamers first, boosting global reach but reducing initial linear exclusives. Short sentence. For viewers it may mean quicker global access; for creators it can mean larger episode orders but different network relationships. Will Nickelodeon lean on second-window licensing for revenue, or fight to keep first-run premieres? Which model will win the next decade?
Sources
- https://deadline.com/2025/10/victorious-trina-vega-spinoff-hollywood-arts-daniella-monet-netflix-1236596090/
- https://deadline.com/2025/02/victorious-trina-vega-spinoff-hollywood-arts-daniella-monet-nickelodeon-1236279328/
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Jessica Morrison is a seasoned entertainment writer with over a decade of experience covering television, film, and pop culture. After earning a degree in journalism from New York University, she worked as a freelance writer for various entertainment magazines before joining red94.net. Her expertise lies in analyzing television series, from groundbreaking dramas to light-hearted comedies, and she often provides in-depth reviews and industry insights. Outside of writing, Jessica is an avid film buff and enjoys discovering new indie movies at local festivals.