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“I Am Not Interested”
The director’s blunt line landed on Oct 23, 2025, sparking a fresh battle over AI and art this week. That NPR exchange came as the filmmaker tours Frankenstein, which opened in select theaters on Oct 17, 2025 and streams on Nov 7, 2025. The concrete fact: he told Fresh Air he does not want generative AI involved in his films. My quick take: this isn’t just culture war flare – it exposes a 2025 fault line between craft and automation. Which side will win the narrative war?
What the ‘I Am Not Interested’ remark means for film fans today in 2025
- The filmmaker told NPR on Oct 23, 2025 that he “I am not interested” in generative AI.
- Frankenstein hit select theaters Oct 17, 2025, streaming on Nov 7, 2025.
- The NPR interview drove national coverage within hours.
Why the quote shocked audiences and critics in 2025 and why it matters
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The line landed during press interviews for a major tentpole. It resonated because it paired personal refusal with a public platform. Short read.
Many readers sensed defiance. The remark framed AI not as neutral tech but as an artistic threat, forcing creators and fans to pick sides. If you care about how films are made, this matters now. Would you trust an AI-designed performance?
Why the remark hit like a bombshell and reignited the AI argument in 2025
The timing amplified the sting: a revered director declared categorical disinterest in generative AI while promoting a high-profile release. Quick fact.
That absolute phrasing turned a private stance into a public provocation, giving critics a tidy soundbite and fans a reason to argue. Is this principled craft protection – or generational resistance to change? The split is already visible across outlets and social feeds.
"AI, particularly generative AI — I am not interested, nor will I ever be interested. I'm 61, and I hope to be able to remain uninterested in using it at all until I croak."
-Guillermo del Toro https://t.co/EKs4Id7lbX— Fresh Air (@nprfreshair) October 23, 2025
Why opinions are split so fiercely over AI in filmmaking this week
Voices range from applause to alarm. Short sentence.
Some industry figures praise an artist’s refusal as defense of craft; others call it impractical purity. That polarization will shape hiring, guild talks, and festival discourse in 2025. Where do you stand as a viewer?
"AI, particularly generative AI — I am not interested, nor will I ever be interested. I'm 61, and I hope to be able to remain uninterested in using it at all until I croak."
-Guillermo del Toro https://t.co/EKs4Id7lbX— Fresh Air (@nprfreshair) October 23, 2025
The numbers that show the remark’s pickup this week in Oct 2025
KPI Value + Unit Change/Impact Interview date Oct 23, 2025 Immediate national press pickup Theatrical release Oct 17, 2025 Early reviews timed to interviews Streaming premiere Nov 7, 2025 Broader audience reach soon
Who spoke these words and why that identity changes the stakes in 2025
The speaker is revealed now: Guillermo del Toro, filmmaker and director of Frankenstein, said the line on Oct 23, 2025, during an interview on NPR’s Fresh Air. Quote, said Guillermo del Toro, expressed a personal refusal to adopt generative AI in his filmmaking. His standing – an Oscar-winning director with an auteur reputation – makes the comment a cultural signal, not just a personal preference. That pedigree forces studios, festivals, and audiences to weigh craft credibility against cost and convenience. Short sentence.
What lasts beyond this quote for audiences and creators in 2025?
Expect debates, not decisions. Quick thought.
This line will feed policy discussions in guilds and marketing narratives around authenticity. It also hands meme fodder to critics and defenders alike. Will the backlash push clearer AI credits, new guild rules, or just louder online rows? Where will you land as the industry answers that question?
Sources
- https://www.npr.org/transcripts/nx-s1-5577963
- https://ew.com/guillermo-del-toro-opposes-ai-in-his-movies-11837256
Jessica Morrison is a seasoned entertainment writer with over a decade of experience covering television, film, and pop culture. After earning a degree in journalism from New York University, she worked as a freelance writer for various entertainment magazines before joining red94.net. Her expertise lies in analyzing television series, from groundbreaking dramas to light-hearted comedies, and she often provides in-depth reviews and industry insights. Outside of writing, Jessica is an avid film buff and enjoys discovering new indie movies at local festivals.