The Queen of Versailles is closing its Broadway doors. The Stephen Schwartz musical starring Kristin Chenoweth will have its final performance on January 4, 2026 at the St. James Theatre. This surprise closing comes less than 2 months after the show’s official opening on November 9, 2025.
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🔥 Quick Facts:
- Final performance: January 4, 2026 at St. James Theatre
- Official opening: November 9, 2025 after previews began October 8
- Stars Kristin Chenoweth and F. Murray Abraham in lead roles
- Music and lyrics by Stephen Schwartz (composer of Wicked)
- Based on Lauren Greenfield’s 2012 documentary about billionaire couple Jackie and David Siegel
- Despite mixed reviews, the show averaged over $1 million per week in box office sales post-opening
What Happened
The producers announced on November 24, 2025 that The Queen of Versailles would end its Broadway run less than 2 weeks after the show opened. The St. James Theatre will once again go dark following performances through January 4. This marks one of the shortest Broadway runs in recent memory for a show with major star power and backing.
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The closure is particularly surprising given the musical’s early box office performance. According to reports, the production had been earning over $1 million per week at the box office despite receiving mixed-to-negative critical reviews. This suggests the decision to close wasn’t driven by poor sales but other factors related to the production’s viability on Broadway.
The show documents the true story of billionaires Jackie and David Siegel, who attempted to build a massive 90,000-square-foot mansion called Versailles in Windermere, Florida. The 2008 financial crisis derailed their ambitious plans, and the musical explores themes of wealth, the American Dream, and personal tragedy.
Why This Matters
This closing continues a troubling trend. New Broadway musicals are struggling to find lasting audiences, even with established creative teams and major star power. Stephen Schwartz‘s involvement—he’s the legendary composer behind Wicked, Godspell, and Pippin—didn’t help sustain the production.
Broadway has seen challenges with new shows this season. The decision signals that even strong box office numbers and celebrity draws aren’t enough to save a show that faces other challenges, whether creative, logistical, or otherwise. For Chenoweth, this marks an unexpected end to what she’d called her “dream role,” a part she’d been waiting her entire career to play.
The musical had transferred from Boston’s Emerson Colonial Theatre, where it ran in July and August 2024. That successful run convinced producers the show had Broadway potential. Director Michael Arden helmed both productions, while choreographers Lauren Yalango-Grant and Christopher Cree Grant created the staging.
The Numbers and Critical Reception
Here’s what the Broadway run looked like:
| Production Detail | Information |
|---|---|
| Preview Date | October 8, 2025 |
| Opening Night | November 9, 2025 |
| Closing Date | January 4, 2026 |
| Total Runtime | Nearly 3 hours |
| Box Office (Post-Opening) | Over $1 million per week |
| Critical Reception | Mixed-to-negative reviews |
| Lead Cast | Kristin Chenoweth, F. Murray Abraham |
Critics had mixed responses. Some praised Chenoweth‘s performance and the score, while others found the 2 hour 50 minute runtime exhausting. Variety noted the second act began to drag. Multiple reviewers felt the show tried to accomplish too much simultaneously—blending social satire, family drama, and American Dream commentary without finding a cohesive voice.
What to Expect Before Closing
So there’s still time. The show runs through the holidays, offering audiences their last chance to see the production before January 4.
- You can catch performances at the St. James Theatre in New York City
- Sherie Rene Scott is scheduled to perform as Jackie Siegel for select performances
- The St. James Theatre will showcase the show’s elaborate set design by Dane Laffrey
- Costume design by high-fashion designer Christian Cowan adds visual spectacle
- Final tickets may become discounted as the closing date approaches
The show features elaborate production design with scenic elements meant to transport audiences from modern-day Florida to the historical Palace of Versailles. This visual spectacle, combined with Schwartz’s score, creates what supporters call compelling musical theater despite mixed reactions.
What Does This Mean for Broadway?
This closing raises hard questions about new musicals on the Main Stem. The trend suggests that big names, solid box office earnings, and known creative teams no longer guarantee long-term success. Perhaps audiences want escapism without the darker emotional weight the show carries. Or perhaps the show simply hadn’t found the right balance between its competing tones.
For fans of Schwartz and Chenoweth‘s earlier collaboration on Wicked, this news stings. The two legendary Broadway figures reunited hoping to recreate that magic. Instead, they’re navigating one of Broadway’s biggest recent disappointments. Still, Chenoweth has said this role represents her dream—whether Broadway audiences ultimately embraced it doesn’t change what the show meant to her personally.
The Takeaway
Will you try to catch this show before it closes? Even divisive musicals often find devoted fans. The spectacle, the Schwartz score, and Chenoweth’s commitment to the role might resonate with you even if critics remained divided. You can see it through January 4, 2026 if you want to witness this bold, ambitious (if ultimately brief) Broadway moment.
Sources
- Playbill – Broadway’s The Queen of Versailles Sets January Closing Date
- Variety – Kristin Chenoweth’s The Queen of Versailles to Close Broadway in January
- Wikipedia – The Queen of Versailles (musical)

Jessica Morrison is a seasoned entertainment writer with over a decade of experience covering television, film, and pop culture. After earning a degree in journalism from New York University, she worked as a freelance writer for various entertainment magazines before joining red94.net. Her expertise lies in analyzing television series, from groundbreaking dramas to light-hearted comedies, and she often provides in-depth reviews and industry insights. Outside of writing, Jessica is an avid film buff and enjoys discovering new indie movies at local festivals.

