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“They just wanted to laugh” – the line landed like a provocation this week, igniting fury and disbelief across rights groups and comedy fans in 2025. The comment came amid the Riyadh Comedy Festival, running Sept. 26-Oct. 9, which invited more than 50 U.S. performers and reopened debate about money, speech and ethics. Coverage from CNN and The New York Times documented both defensive sets and searing condemnations from activists. This is more than theater; it pits free-speech arguments against accusations of image-washing. Whose side are you on?
What you need to know about the Riyadh festival remark in 2025
- Riyadh Comedy Festival runs Sept. 26-Oct. 9, featuring 50+ performers, global backlash.
- Rights groups say the event whitewashes Saudi abuses; advocates cite Khashoggi anniversary.
- Several comics defended appearances as free-speech or cultural exchange; critics call it cash-for-approval.
Why “They just wanted to laugh” shocked rights groups this week
The simple line crystallized a larger clash: is performing for Saudi audiences naive engagement or complicity? Critics pointed to the festival’s timing – the seventh anniversary of Jamal Khashoggi’s murder – and called the remark tone-deaf. Supporters replied that the sets showed Saudis want ordinary pleasures, not political spectacle. The friction turned debate into headlines and social posts almost immediately, forcing fans to weigh jokes against documented repression.
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How reactions split across comedians, activists and global fans today
Some comedians openly shrugged at moralizing and emphasized audience connection or pay, framing gigs as cultural exchange. Human-rights advocates said high-profile names lend legitimacy to a government that imprisons dissenters. Public opinion fractured: a portion of fans defended comic autonomy, while others vowed boycotts. The polarization reveals how entertainment choices now function as political signals. Which side matters more to you?
The numbers that show soft power and money behind the festival
| Indicator | Value | Impact |
|---|---|---|
| Festival scale | 50+ performers | Global media attention |
| Anniversary timing | 7 years since Khashoggi | Intensified criticism |
| Saudi investments | $200M (Penske), $3.5B (Uber) | Soft power and influence |
The data shows scale, timing, and money converge to amplify controversy.
Who said the line and why their role matters in 2025
The quoted line – “They just wanted to laugh” – was spoken by Bill Burr during a set and later referenced on his podcast, with video coverage circulating online. Burr is a high-profile stand-up whose comments carry weight with comedy audiences and media, so his offhand observation quickly became a touchpoint in debates about cultural diplomacy and ethics. The speaker’s profile turned a casual line into a headline-catching flashpoint.
What lasting consequences could this remark have for comedy and politics in 2025?
Expect more scrutiny of overseas gigs and clearer public pressure on performers to justify appearances. Festival promoters may face boycotts or demand stricter content rules; brands tied to talent could be forced to choose sides. Will audiences start judging sets by geopolitics rather than laughs? Which comedians will accept the moral cost of those paydays?
Sources
- https://edition.cnn.com/2025/10/02/media/riyadh-comedy-festival-american-comedians-saudi-human-rights
- https://www.nytimes.com/2025/10/02/world/middleeast/saudi-comedy-festival-riyadh-free-speech.html
- https://www.hrw.org/news/2025/09/23/saudi-arabia-riyadh-comedy-festival-whitewashes-abuses
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- “Everybody’s Phony About This Stuff” Sparks Fury Over Riyadh – October 2025 Fallout

Jessica Morrison is a seasoned entertainment writer with over a decade of experience covering television, film, and pop culture. After earning a degree in journalism from New York University, she worked as a freelance writer for various entertainment magazines before joining red94.net. Her expertise lies in analyzing television series, from groundbreaking dramas to light-hearted comedies, and she often provides in-depth reviews and industry insights. Outside of writing, Jessica is an avid film buff and enjoys discovering new indie movies at local festivals.
