{"id":18045,"date":"2025-11-24T19:26:29","date_gmt":"2025-11-24T23:26:29","guid":{"rendered":"https:\/\/www.red94.net\/news\/queen-of-versailles-broadway-closes-jan-4-after-just-2-months-kristin-chenoweth-musical-ends-surprising-run\/"},"modified":"2025-11-24T19:27:01","modified_gmt":"2025-11-24T23:27:01","slug":"91106-queen-of-versailles-broadway-closes-jan-4-after-just-2-months-kristin-chenoweth","status":"publish","type":"post","link":"https:\/\/www.red94.net\/news\/91106-queen-of-versailles-broadway-closes-jan-4-after-just-2-months-kristin-chenoweth\/","title":{"rendered":"Queen of Versailles Broadway closes Jan. 4 after just 2 months, Kristin Chenoweth musical ends surprising run"},"content":{"rendered":"

The Queen of Versailles<\/b> is closing its Broadway<\/b> doors. The Stephen Schwartz<\/b> musical starring Kristin Chenoweth<\/b> will have its final performance on January 4, 2026<\/b> at the St. James Theatre<\/b>. This surprise closing comes less than 2 months<\/b> after the show’s official opening on November 9, 2025<\/b>.<\/p>\n

\n

\ud83d\udd25 Quick Facts:<\/p>\n

    \n
  • Final performance: January 4, 2026<\/b> at St. James Theatre<\/b><\/li>\n
  • Official opening: November 9, 2025<\/b> after previews began October 8<\/b><\/li>\n
  • Stars Kristin Chenoweth<\/b> and F. Murray Abraham<\/b> in lead roles<\/li>\n
  • Music and lyrics by Stephen Schwartz<\/b> (composer of Wicked)<\/li>\n
  • Based on Lauren Greenfield’s 2012 documentary<\/b> about billionaire couple Jackie and David Siegel<\/li>\n
  • Despite mixed reviews, the show averaged over $1 million per week<\/b> in box office sales post-opening<\/li>\n<\/ul>\n<\/div>\n

    What Happened<\/h2>\n

    The producers announced on November 24, 2025<\/b> that The Queen of Versailles<\/b> would end its Broadway run less than 2 weeks<\/b> after the show opened. The St. James Theatre<\/b> will once again go dark following performances through January 4<\/b>. This marks one of the shortest Broadway runs in recent memory for a show with major star power and backing.<\/p>\n

    The closure is particularly surprising given the musical’s early box office performance. According to reports, the production had been earning over $1 million per week<\/b> at the box office despite receiving mixed-to-negative critical reviews. This suggests the decision to close wasn’t driven by poor sales but other factors related to the production’s viability on Broadway.<\/p>\n

    The show documents the true story of billionaires Jackie<\/b> and David Siegel<\/b>, who attempted to build a massive 90,000-square-foot<\/b> mansion called Versailles<\/b> in Windermere, Florida<\/b>. The 2008 financial crisis<\/b> derailed their ambitious plans, and the musical explores themes of wealth, the American Dream, and personal tragedy.<\/p>\n

    Why This Matters<\/h2>\n

    This closing continues a troubling trend. New Broadway musicals are struggling to find lasting audiences, even with established creative teams and major star power. Stephen Schwartz<\/b>‘s involvement\u2014he’s the legendary composer behind Wicked, Godspell,<\/b> and Pippin<\/b>\u2014didn’t help sustain the production.<\/p>\n

    Broadway has seen challenges with new shows this season. The decision signals that even strong box office numbers and celebrity draws aren’t enough to save a show that faces other challenges, whether creative, logistical, or otherwise. For Chenoweth<\/b>, this marks an unexpected end to what she’d called her “dream role,” a part she’d been waiting her entire career to play.<\/p>\n

    The musical had transferred from Boston’s Emerson Colonial Theatre<\/b>, where it ran in July and August 2024<\/b>. That successful run convinced producers the show had Broadway potential. Director Michael Arden<\/b> helmed both productions, while choreographers Lauren Yalango-Grant<\/b> and Christopher Cree Grant<\/b> created the staging.<\/p>\n

    The Numbers and Critical Reception<\/h2>\n

    Here’s what the Broadway run looked like:<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
    Production Detail<\/th>\nInformation<\/th>\n<\/tr>\n<\/thead>\n
    Preview Date<\/b><\/td>\nOctober 8, 2025<\/td>\n<\/tr>\n
    Opening Night<\/b><\/td>\nNovember 9, 2025<\/td>\n<\/tr>\n
    Closing Date<\/b><\/td>\nJanuary 4, 2026<\/td>\n<\/tr>\n
    Total Runtime<\/b><\/td>\nNearly 3 hours<\/td>\n<\/tr>\n
    Box Office (Post-Opening)<\/b><\/td>\nOver $1 million per week<\/td>\n<\/tr>\n
    Critical Reception<\/b><\/td>\nMixed-to-negative reviews<\/td>\n<\/tr>\n
    Lead Cast<\/b><\/td>\nKristin Chenoweth, F. Murray Abraham<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    Critics had mixed responses. Some praised Chenoweth<\/b>‘s performance and the score, while others found the 2 hour 50 minute<\/b> runtime exhausting. Variety<\/b> noted the second act began to drag. Multiple reviewers felt the show tried to accomplish too much simultaneously\u2014blending social satire, family drama, and American Dream commentary without finding a cohesive voice.<\/p>\n

    What to Expect Before Closing<\/h2>\n

    So there’s still time. The show runs through the holidays<\/b>, offering audiences their last chance to see the production before January 4<\/b>.<\/p>\n

      \n
    • You can catch performances at the St. James Theatre<\/b> in New York City<\/b><\/li>\n
    • Sherie Rene Scott<\/b> is scheduled to perform as Jackie Siegel for select performances<\/li>\n
    • The St. James Theatre<\/b> will showcase the show’s elaborate set design by Dane Laffrey<\/b><\/li>\n
    • Costume design by high-fashion designer Christian Cowan<\/b> adds visual spectacle<\/li>\n
    • Final tickets may become discounted as the closing date approaches<\/li>\n<\/ul>\n

      The show features elaborate production design with scenic elements meant to transport audiences from modern-day Florida<\/b> to the historical Palace of Versailles<\/b>. This visual spectacle, combined with Schwartz’s<\/b> score, creates what supporters call compelling musical theater despite mixed reactions.<\/p>\n

      What Does This Mean for Broadway?<\/h2>\n

      This closing raises hard questions about new musicals on the Main Stem<\/b>. The trend suggests that big names, solid box office earnings, and known creative teams no longer guarantee long-term success. Perhaps audiences want escapism without the darker emotional weight the show carries. Or perhaps the show simply hadn’t found the right balance between its competing tones.<\/p>\n

      For fans of Schwartz<\/b> and Chenoweth<\/b>‘s earlier collaboration on Wicked<\/b>, this news stings. The two legendary Broadway figures reunited hoping to recreate that magic. Instead, they’re navigating one of Broadway’s biggest recent disappointments. Still, Chenoweth<\/b> has said this role represents her dream\u2014whether Broadway audiences ultimately embraced it doesn’t change what the show meant to her personally.<\/p>\n

      The Takeaway<\/h3>\n

      Will you try to catch this show before it closes? Even divisive musicals often find devoted fans. The spectacle, the Schwartz score<\/b>, and Chenoweth’s<\/b> commitment to the role might resonate with you even if critics remained divided. You can see it through January 4, 2026<\/b> if you want to witness this bold, ambitious (if ultimately brief) Broadway moment.<\/p>\n

      Sources<\/h2>\n
        \n
      • Playbill<\/b> – Broadway’s The Queen of Versailles Sets January Closing Date<\/li>\n
      • Variety<\/b> – Kristin Chenoweth’s The Queen of Versailles to Close Broadway in January<\/li>\n
      • Wikipedia<\/b> – The Queen of Versailles (musical)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":18,"featured_media":18044,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"schema_org_data":"{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Person\",\"name\":\"Kristin Chenoweth\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/q3ENDu5n23FARhyij4FVRaTkSg4.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/52775\"]},{\"@type\":\"Person\",\"name\":\"F. 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