{"id":13405,"date":"2025-10-27T10:08:06","date_gmt":"2025-10-27T14:08:06","guid":{"rendered":"https:\/\/www.red94.net\/news\/69292-i-am-not-interested-sparks-heated-ai-debate-in-2025-what-changes-now\/"},"modified":"2025-10-27T10:08:06","modified_gmt":"2025-10-27T14:08:06","slug":"69292-i-am-not-interested-sparks-heated-ai-debate-in-2025-what-changes-now","status":"publish","type":"post","link":"https:\/\/www.red94.net\/news\/69292-i-am-not-interested-sparks-heated-ai-debate-in-2025-what-changes-now\/","title":{"rendered":"I Am Not Interested Sparks Heated AI Debate in 2025 &#8211; What Changes Now"},"content":{"rendered":"<p><p>&#8220;I Am Not Interested&#8221;<\/p>\n<p>The director\u2019s blunt line landed on <strong>Oct 23, 2025<\/strong>, sparking a fresh battle over AI and art this week. That NPR exchange came as the filmmaker tours <em>Frankenstein<\/em>, which opened in select theaters on <strong>Oct 17, 2025<\/strong> and streams on <strong>Nov 7, 2025<\/strong>. The concrete fact: he told Fresh Air he does not want generative AI involved in his films. My quick take: this isn&#8217;t just culture war flare &#8211; it exposes a 2025 fault line between craft and automation. Which side will win the narrative war?<\/p>\n<\/p>\n<h2>What the &#8216;I Am Not Interested&#8217; remark means for film fans today in 2025<\/h2>\n<blockquote>\n<ul>\n<li>The filmmaker told NPR on <strong>Oct 23, 2025<\/strong> that he &#8220;I am not interested&#8221; in generative AI.<\/li>\n<li><em>Frankenstein<\/em> hit select theaters <strong>Oct 17, 2025<\/strong>, streaming on <strong>Nov 7, 2025<\/strong>.<\/li>\n<li>The NPR interview drove national coverage within hours.<\/li>\n<\/ul>\n<\/blockquote>\n<h2>Why the quote shocked audiences and critics in 2025 and why it matters<\/h2>\n<p>The line landed during press interviews for a major tentpole. It resonated because it paired personal refusal with a public platform. Short read.<\/p>\n<p>Many readers sensed defiance. The remark framed AI not as neutral tech but as an artistic threat, forcing creators and fans to pick sides. If you care about how films are made, this matters now. Would you trust an AI-designed performance?<\/p>\n<h2>Why the remark hit like a bombshell and reignited the AI argument in 2025<\/h2>\n<p>The timing amplified the sting: a revered director declared categorical disinterest in generative AI while promoting a high-profile release. Quick fact.<\/p>\n<p>That absolute phrasing turned a private stance into a public provocation, giving critics a tidy soundbite and fans a reason to argue. Is this principled craft protection &#8211; or generational resistance to change? The split is already visible across outlets and social feeds.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">&quot;AI, particularly generative AI \u2014 I am not interested, nor will I ever be interested. I&#39;m 61, and I hope to be able to remain uninterested in using it at all until I croak.&quot; <br \/>-Guillermo del Toro <a href=\"https:\/\/t.co\/EKs4Id7lbX\">https:\/\/t.co\/EKs4Id7lbX<\/a><\/p>\n<p>&mdash; Fresh Air (@nprfreshair) <a href=\"https:\/\/twitter.com\/nprfreshair\/status\/1981428886677102681?ref_src=twsrc%5Etfw\">October 23, 2025<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<h2>Why opinions are split so fiercely over AI in filmmaking this week<\/h2>\n<p>Voices range from applause to alarm. Short sentence.<\/p>\n<p>Some industry figures praise an artist\u2019s refusal as defense of craft; others call it impractical purity. That polarization will shape hiring, guild talks, and festival discourse in <strong>2025<\/strong>. Where do you stand as a viewer?<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">&quot;AI, particularly generative AI \u2014 I am not interested, nor will I ever be interested. I&#39;m 61, and I hope to be able to remain uninterested in using it at all until I croak.&quot; <br \/>-Guillermo del Toro <a href=\"https:\/\/t.co\/EKs4Id7lbX\">https:\/\/t.co\/EKs4Id7lbX<\/a><\/p>\n<p>&mdash; Fresh Air (@nprfreshair) <a href=\"https:\/\/twitter.com\/nprfreshair\/status\/1981428886677102681?ref_src=twsrc%5Etfw\">October 23, 2025<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<h2>The numbers that show the remark&#8217;s pickup this week in Oct 2025<\/h2>\n<blockquote>\n<div style=\"overflow-x: auto;-webkit-overflow-scrolling: touch;\" role=\"region\" aria-label=\"Data\" tabindex=\"0\">\n<table style=\"white-space: nowrap;\">\n<thead>\n<tr>\n<th>KPI<\/th>\n<th>Value + Unit<\/th>\n<th>Change\/Impact<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Interview date<\/strong><\/td>\n<td><strong>Oct 23, 2025<\/strong><\/td>\n<td>Immediate national press pickup<\/td>\n<\/tr>\n<tr>\n<td><strong>Theatrical release<\/strong><\/td>\n<td><strong>Oct 17, 2025<\/strong><\/td>\n<td>Early reviews timed to interviews<\/td>\n<\/tr>\n<tr>\n<td><strong>Streaming premiere<\/strong><\/td>\n<td><strong>Nov 7, 2025<\/strong><\/td>\n<td>Broader audience reach soon<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/blockquote>\n<h2>Who spoke these words and why that identity changes the stakes in 2025<\/h2>\n<p>The speaker is revealed now: Guillermo del Toro, filmmaker and director of <em>Frankenstein<\/em>, said the line on <strong>Oct 23, 2025<\/strong>, during an interview on NPR\u2019s Fresh Air. Quote, said Guillermo del Toro, expressed a personal refusal to adopt generative AI in his filmmaking. His standing &#8211; an Oscar-winning director with an auteur reputation &#8211; makes the comment a cultural signal, not just a personal preference. That pedigree forces studios, festivals, and audiences to weigh craft credibility against cost and convenience. Short sentence.<\/p>\n<h2>What lasts beyond this quote for audiences and creators in 2025?<\/h2>\n<p>Expect debates, not decisions. Quick thought.<\/p>\n<p>This line will feed policy discussions in guilds and marketing narratives around authenticity. It also hands meme fodder to critics and defenders alike. Will the backlash push clearer AI credits, new guild rules, or just louder online rows? Where will you land as the industry answers that question?<\/p>\n<p><strong>Sources<\/strong><\/p>\n<ul>\n<li>https:\/\/www.npr.org\/transcripts\/nx-s1-5577963<\/li>\n<li>https:\/\/ew.com\/guillermo-del-toro-opposes-ai-in-his-movies-11837256<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":18,"featured_media":13404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"schema_org_data":"{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Person\",\"name\":\"Guillermo del Toro\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/gldeyCtKcaqnK1v4Vu9vqayhzUQ.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/10828\"]},{\"@type\":\"Movie\",\"name\":\"Frankenstein\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/olmud8EBCJUSSVkDw0r4KyLjRig.jpg\",\"dateCreated\":\"2025-10-17\",\"aggregateRating\":{\"@type\":\"AggregateRating\",\"ratingValue\":7.978,\"bestRating\":\"10\",\"ratingCount\":46},\"description\":\"Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.\"}]}","_extracted_celebrities":null,"_extracted_movies":null,"_extracted_places":"","_extracted_videos":"","_last_enrichment_date":"2025-10-27 10:08:20","footnotes":""},"categories":[1],"tags":[],"class_list":["post-13405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>I Am Not Interested Sparks Heated AI Debate in 2025 - What Changes Now<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.red94.net\/news\/69292-i-am-not-interested-sparks-heated-ai-debate-in-2025-what-changes-now\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I Am Not Interested Sparks Heated AI Debate in 2025 - What Changes Now\" \/>\n<meta property=\"og:description\" content=\"&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.red94.net\/news\/69292-i-am-not-interested-sparks-heated-ai-debate-in-2025-what-changes-now\/\" \/>\n<meta property=\"og:site_name\" content=\"Red94\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-27T14:08:06+00:00\" \/>\n<meta name=\"author\" content=\"Jessica Morrison\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jessica Morrison\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.red94.net\/news\/69292-i-am-not-interested-sparks-heated-ai-debate-in-2025-what-changes-now\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.red94.net\/news\/69292-i-am-not-interested-sparks-heated-ai-debate-in-2025-what-changes-now\/\"},\"author\":{\"name\":\"Jessica Morrison\",\"@id\":\"https:\/\/www.red94.net\/news\/#\/schema\/person\/1392757aee97e2eaf6264cfe538812da\"},\"headline\":\"I Am Not Interested Sparks Heated AI Debate in 2025 &#8211; 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After earning a degree in journalism from New York University, she worked as a freelance writer for various entertainment magazines before joining red94.net. Her expertise lies in analyzing television series, from groundbreaking dramas to light-hearted comedies, and she often provides in-depth reviews and industry insights. 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