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Surprise surged as 7 Venice 2025 films retooled awards-season math. The festival’s Aug. 27-Sep. 6, 2025 run produced unexpected winners, fierce political speeches and at least one jaw-dropping standing ovation. Jim Jarmusch’s quiet Golden Lion, Kaouther Ben Hania’s Gaza-set Grand Jury prize and Benny Safdie’s directorial win each change how studios and critics bundle contenders. Which of these films will actually translate to Oscar traction – and which will fuel the biggest cultural arguments this fall?
Why these 7 Venice picks matter for awards and streamers in 2025
- Jim Jarmusch won the Golden Lion on Sept. 6, 2025; impact: awards buzz for indie auteurs.
- Kaouther Ben Hania’s film earned a 21-minute standing ovation; impact: political urgency and press attention.
- Benny Safdie won Best Director; impact: Dwayne Johnson’s awards credibility rises.
The 7 picks that redefine festivals and awards this season
1 – Jim Jarmusch’s quiet Golden Lion flips the auteur script
Variety and The Hollywood Reporter confirm Jim Jarmusch’s Father Mother Sister Brother won Venice’s Golden Lion on Sept. 6, 2025. The film’s low-key, ensemble approach (Adam Driver, Cate Blanchett, Tom Waits) shows prestige can still reward subtlety. If you favor slow-burn acting awards, this one puts a new title on your shortlist.
2 – The Voice Of Hind Rajab’s standing ovation turned critics into advocates
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Kaouther Ben Hania’s Gaza drama took the Grand Jury prize after a 21-minute standing ovation and a speech dedicated to humanitarian responders. That visceral reaction gave the movie instant global momentum and press narratives that studios will exploit. If you watch one film to understand Venice’s political moment, this is it.

3 – Benny Safdie’s The Smashing Machine makes Dwayne Johnson awards-watchable
Benny Safdie earned the Silver Lion for Best Director for The Smashing Machine, and outlets called Dwayne Johnson’s turn “a leap” into serious drama. That kind of director-star pairing can convert box-office names into awards contenders. If you like sports biopics with bite, this one delivers and could siphon votes from conventional prestige dramas.
4 – Toni Servillo’s La Grazia signals a comeback for Sorrentino-style prestige
Toni Servillo won best actor for Paolo Sorrentino’s La Grazia, a performance critics flagged as mature and awards-friendly. Italy’s homegrown acclaim often translates into European and Oscar-season momentum for both actor and director. If you follow international contenders, Servillo’s trophy makes La Grazia harder to ignore.
5 – Xin Zhilei’s win in The Sun Rises On Us All lifts Chinese arthouse visibility
Xin Zhilei took best actress, spotlighting a Chinese film that critics say is “riveting.” That nod may broaden U.S. and festival programmers’ appetite for select Chinese titles heading into fall. If you care about cross-border prize strategies, note how this win shifts festival buying lists.
6 – Gianfranco Rosi’s Below The Clouds proves documentaries still shift seasons
Gianfranco Rosi’s Special Jury Prize for Below the Clouds underlines documentary power at Venice; critics praised its layered approach to modern life. Documentaries with festival pedigree increasingly snag nominations and platform deals. Which doc will break through commercially this awards season?

7 – Breakouts and debuts: Luna Wedler and Short Summer point to new names to watch
Luna Wedler won the Marcello Mastroianni Award for emerging performers and Short Summer won the Luigi De Laurentiis best debut prize. Venice’s breakout tokens tend to seed casting interest and awards buzz for supporting categories. If you track future nominees, these names and films are early alerts.
The key numbers from Venice 2025 that change the awards race
| KPI | Value + Unit | Change/Impact |
|---|---|---|
| Edition | 82nd edition | High-profile slate drew major auteurs |
| Festival dates | Aug 27-Sep 6, 2025 | Timing primes fall awards conversation |
| Standing ovation | 21 minutes | Amplified press and sympathy for film |
How will these Venice wins reshape awards races in 2025?
Venice handed prestige to both a quiet auteur piece and politically urgent cinema, forcing voters and platforms to recalibrate. Expect studios to reposition marketing (focus on ensemble performances, documentary narratives, or activist frames) and streaming buyers to fast-track select titles. Will Venice’s dual emphasis on empathy and urgency split the Academy’s vote – or consolidate support behind a small cluster of widely discussed films? Which side will you back this awards season?
Sources
- https://variety.com/2025/film/festivals/venice-film-festival-awards-winners-list-golden-lion-1236507924/
- https://www.hollywoodreporter.com/movies/movie-news/venice-film-festival-2025-golden-lion-award-winners-1236363133/

Jessica Morrison is a seasoned entertainment writer with over a decade of experience covering television, film, and pop culture. After earning a degree in journalism from New York University, she worked as a freelance writer for various entertainment magazines before joining red94.net. Her expertise lies in analyzing television series, from groundbreaking dramas to light-hearted comedies, and she often provides in-depth reviews and industry insights. Outside of writing, Jessica is an avid film buff and enjoys discovering new indie movies at local festivals.
