The Voice is shaking up its schedule. Starting Monday, November 3, the hit NBC singing competition moves to Mondays only. The Knockouts rounds will air at 9 p.m. ET/8 p.m. CT. Episodes will run one hour instead of two. The show wraps on November 24.
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🔥 Quick Facts:
- No Tuesday episodes in November for The Voice Season 28.
- Knockouts move to Mondays exclusively starting Nov. 3 through Nov. 24.
- New time slot: 9 p.m. ET/8 p.m. CT with 60-minute format.
- Coaches: Michael Bublé, Reba McEntire, Snoop Dogg, Niall Horan.
- 32 artists remain after the Battles ended October 27.
Why NBC Is Changing The Voice Schedule
NBC is condensing the schedule to compress the Knockouts phase. This allows the network to move forward to Playoffs in December. The broadcast format shift from two hours down to one hour creates tighter storytelling. Viewers will get head-to-head performances faster without filler.
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The November format change follows hints dropped back in May. Insiders predicted the Monday-only shift would come. NBC confirmed the change on October 20. “We’ll finish the Knockouts efficiently,” a network statement suggested. The goal is maximizing drama while respecting viewer schedules.
“Starting Monday, November 3, Voice episodes will begin at 9/8c on NBC and only run for one hour.”
Latest Knockouts Developments and Mega Mentors
The Knockouts Premiere aired October 27 with 32 artists competing. Each coach commands 8 remaining performers. This round introduces a game-changing twist: the “Mic Drop” button. Coaches can use it once per Knockouts to save an artist from elimination.
Legendary mentors Joe Walsh and Zac Brown guide coaches during Knockouts. Joe Walsh (the Eagles icon) mentors Niall Horan’s team. Zac Brown of Zac Brown Band works with the other coaches. Their expertise shapes strategy during intense head-to-head matchups.
| Schedule Detail | Current (Oct. 28-Nov. 2) | Starting Nov. 3 |
|---|---|---|
| Days Aired | Monday & Tuesday | Monday Only |
| Episode Length | 2 Hours | 1 Hour |
| Air Time | 8 p.m. ET & Varies | 9 p.m. ET/8 p.m. CT |
| Total Weeks | 1 Week Remaining | 4 Weeks (Nov. 3-24) |
The Knockouts Premiere brought compelling matchups. Aubrey Nicole defeated Leyton Robinson from Team Reba. Sadie Dahl impressed with her powerful vocals. New artists advanced while established voices faced elimination. The energy was intense from start to finish.
What Every Voice Fan Must Know This November
- Remove Tuesday | November 5 from your The Voice viewing calendar immediately.
- Mark every Monday from November 3-24 to watch new Knockouts.
- New time: 9 p.m. ET (9/8c format) replaces varying times.
- Stream next-day episodes exclusively on Peacock after broadcast.
- The Playoffs begin Monday, December 1 to follow immediately.
Will the New Schedule Impact Your Viewing Habits?
This schedule consolidation reflects The Voice’s evolution. Networks balance audience engagement with production efficiency. Shorter episodes might feel rushed to some viewers but others praise tighter pacing. The Monday-only format removes the mid-week interruption.
Fans streaming on Peacock actually benefit from the change. They can binge previous episodes before new Knockouts air. The one-hour format means less time commitment per episode. For working professionals, Monday-only schedules prove easier to manage than two-day commitment weeks.
Are you excited or frustrated about The Voice’s new schedule in November? Will you adjust your viewing routine to match the Monday-only format?
Sources
- NBC Insider – The Voice TV Schedule October & November 2025
- NBC Official – Voice Knockouts and Season 28 Details
- Entertainment Now – Schedule Changes Analysis
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Daniel Harris is a specialist journalist focused on the crossroads of breaking news, extraordinary history, and enduring legends. With a background in historical research and storytelling, he blends timely reporting with timeless narratives, making complex events and ancient myths resonate with today’s readers. Daniel’s work often uncovers surprising links between present-day headlines and legendary tales, offering unique perspectives that captivate diverse audiences. Beyond reporting, he is passionate about preserving oral traditions and exploring how extraordinary stories continue to shape culture and identity.