Jacob Elordi endured 10 hours daily in 42 prosthetic pieces for Guillermo del Toro’s Frankenstein – and the transformation’s already drawing 13-minute standing ovations at Venice Film Festival before the film hits theaters Oct. 17.
Elordi Spent 10 Hours Before Each Frankenstein Shoot In 42 Pieces
Guillermo del Toro revealed Oct. 6 at the Los Angeles premiere that Jacob Elordi sat through 10 hours of makeup application every single day. The Euphoria star wore 42 separate prosthetic pieces to become the Creature, then worked full shooting days afterward.
The Oscar-winning director told E! News the actor “did it all with grace and patience and love.” Del Toro compared the process to a priest getting dressed for ceremony – layering robes and sacred garments to invoke something holy.
That dedication paid off. Oscar Isaac, who plays Dr. Victor Frankenstein, called his co-star’s commitment remarkable. “He was in 10 hours of makeup every day. The fact that he would just show up and was so beautiful and vulnerable and open, I was so impressed with him.”
Why Venice Critics Gave Elordi More Than Casual Streaming Viewers
Festival audiences responded differently than typical viewers will. The Venice crowd gave Frankenstein a 13-minute standing ovation – the longest of the festival. Elordi and del Toro both cried during the response.
Rotten Tomatoes critics praised Elordi’s performance as the standout element. The consensus reads that the film “gets its most invigorating volts from Jacob Elordi’s standout performance.”
“He brings a quiet watchfulness to this Frankenstein’s monster, and he becomes the soul of a movie that may not have had one without him,” — IndieWire review.
Lock These 4 Prep Steps Before Nov. 7 Netflix Release
Frankenstein drops Oct. 17 in select theaters before hitting Netflix Nov. 7. Here’s how to experience it the way del Toro and Elordi hope you will.
| Step | Detail | Deadline |
|---|---|---|
| 1 | Check local theaters for limited Frankenstein screenings | Oct. 17 |
| 2 | Watch del Toro’s The Shape of Water for visual comparison | Oct. 31 |
| 3 | Follow Jacob Elordi and Oscar Isaac on social for premiere updates | Now |
| 4 | Set Netflix reminder for Nov. 7 streaming release | Nov. 7 |
Watch For These 3 Awards Signals Before Feb. 2026 Oscars
Netflix gave Frankenstein the 3-week theatrical window specifically for awards qualification. That makes the film a contender for the 2026 Oscars.
Rotten Tomatoes shows 81% positive from 88 critics with Metacritic scoring it 74/100 – both strong indicators for technical nominations.
Academy attention on Elordi’s performance could spike if social mentions exceed 500K during the Nov. 7 streaming week. Del Toro won Best Picture and Best Director for The Shape of Water in 2018, setting precedent.
Which Performance Will Dominate Frankenstein Talk Through Halloween – Elordi Or Isaac?
Isaac brings the intensity as the mad scientist, but early reviews point to Elordi as the revelation. The 28-year-old replaced Andrew Garfield just 9 weeks before shooting started in February 2024.
Del Toro had to scrap 9 months of creature design for Garfield and rebuild everything for the taller Elordi. The director called the connection between them “supernaturally good” with very few words needed.
Will Elordi’s physical transformation and emotional vulnerability make him the breakout, or will Isaac’s tortured genius steal focus when Frankenstein hits Netflix Nov. 7?
SOURCES
- https://www.eonline.com/news/1423464/jacob-elordi-frankenstein-transformation-42-prosthetics
- https://variety.com/2025/film/features/jacob-elordi-oscar-isaac-frankenstein-interview-makeup-netflix-1236492420/
- https://variety.com/2025/film/festivals/frankenstein-venice-premiere-jacob-elordi-oscar-isaac-ovation-1236495703/
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Daniel Harris is a specialist journalist focused on the crossroads of breaking news, extraordinary history, and enduring legends. With a background in historical research and storytelling, he blends timely reporting with timeless narratives, making complex events and ancient myths resonate with today’s readers. Daniel’s work often uncovers surprising links between present-day headlines and legendary tales, offering unique perspectives that captivate diverse audiences. Beyond reporting, he is passionate about preserving oral traditions and exploring how extraordinary stories continue to shape culture and identity.
Ever get lost in all those prosthetics on Jacob Elordi for Frankenstein? Its like a whole new face every day. Venice critics seemed to dig it, but will the mainstream crowd give it the same love? #FrankensteinFaceMorphs
Ever noticed how Jacob Elordi dedicated 10 hours to 42 prosthetics for Frankenstein? Venice critics loved it, but will Netflix viewers catch the subtleties? Are we in for some unexpected awards buzz or just another streaming flick fadeout? Whats your bet?
Ever felt like spending 10 hours in 42 prosthetics? Jacob Elordi did just that for Frankenstein. Why would anyone willingly go through that every day? Is it a dedication to art or just plain madness? Whats your take on extreme lengths for a role?
Honestly, its like a twisted game of How Far Will You Go for Art? But hey, if Jacob Elordi wants to spend half his day being transformed into a walking prosthetic masterpiece, who are we to judge, right? I mean, maybe hes just really committed, or maybe he lost a bet with the makeup artist. Who knows? But seriously, do you think all this extreme dedication is necessary for a role, or could some acting chops shine through without all the extra layers of latex and silicone? Whats your take on actors going to such lengths to get into character?
Anyone else notice how Elordis dedication to Frankensteins prosthetics is next level? I mean, 10 hours daily in 42 pieces? Thats commitment. Will this performance be a game-changer for his career?
Yeah, Elordi really went all out for those Frankensteins prosthetics, huh? 10 hours daily in 42 pieces sounds like a serious commitment! But you know, sometimes all the effort in the world doesnt guarantee a career game-changer. I mean, remember when Jenna did that crazy makeup for that indie film and then disappeared into obscurity? Who knows what really makes a breakthrough in Hollywood these days? Do you think its all about the dedication or just a stroke of luck? Maybe a bit of both? Whats your take on this whole performance hype?
Ever try spending 10 hours in 42 prosthetics like Jacob Elordi? I once wore a fake mustache for a school play and it felt like forever! Can you imagine the dedication it takes for each shoot?
Imagine spending 10 hours daily in 42 prosthetics for a role! Jacob Elordi did just that for Frankenstein. Venice critics are impressed, but will casual streaming viewers appreciate his dedication? Will this performance lead to awards buzz? Whats your take on Elordis transformative process?
Jacob Elordi deserves a round of applause for diving headfirst into the world of Frankenstein like that. But hey, will the casual streamers grasp the blood, sweat, and tears he shed under those 42 prosthetics? Awards buzz? Who knows, Hollywood loves a good transformation story. I mean, imagine the dedication it takes to rock that many prosthetics daily. Do you think Elordis performance will be a game-changer or just another masked man in a sea of faces? Curious minds want to know!
Ever try spending 10 hours in 42 prosthetics like Jacob Elordi for Frankenstein? I bet Id feel like a walking museum exhibit. Would you endure that for arts sake, or is it a hard pass?
Anyone else notice Jacob Elordis dedication for the Frankenstein role? Spending hours in prosthetics, Venice critics are taking notice. Will this be his ticket to awards season glory?