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Awe rippled through theaters when The Conjuring: The Last Rites delivered a startling $83M U.S. opening weekend on Sept. 5, 2025, blowing past expectations and rebooting the fall box-office conversation. This matters now because studios are recalibrating release plans, theater chains are rolling promotions, and franchises that once felt tired suddenly look bankable again. Variety, Deadline and The Hollywood Reporter all confirm the domestic bow and larger global haul. Is this the shock the theatrical calendar needed – and will you rush back to late-night screenings this fall?
What The $83M Weekend Means For Moviegoers This Fall
- Warner Bros.’ The Conjuring: The Last Rites opened Sept. 5, 2025; U.S. opening: $83M.
- Franchise Best: Biggest domestic opening in the Conjuring series; immediate boost to horror slate.
- AMC Launched $66.66 Slash Pass; theaters report higher late‑night attendance and repeat viewings.
Why An $83M Shock Opening Forces Studios To Rethink Fall Plans
Studios had been cautious after a shaky summer, but a blockbuster horror bow in early September alters risk calculations: distributors may accelerate genre titles into crowded fall weekends, and streaming windows could tighten as studios chase more theatrical revenue. The timing – a weekend after Labor Day – means counterprogramming and awards-season contenders now compete with a revived horror appetite. If you liked theatrical frights before, expect more wide releases, midnight events, and marketing stunts aimed squarely at viewers who still crave communal scares. How will your autumn watchlist change?
The Reactions Stirring Debate: Fans, Critics And Exhibitors Sound Off
Critics praised the film’s crowd-pleasing blend of jump scares and franchise callbacks, while exhibitors celebrated packed evening shows and concession lines. Theater chains rolled promotional tactics – including AMC’s new $66.66 “Slash Pass” – to convert hype into repeat business. Social posts amplified the moment, with box-office trackers and fan accounts sharing opening tallies and crowd clips.
https://twitter.com/cinesummary/status/1965097933990199517
https://twitter.com/TheExtrastv/status/1965117799531217188
Data Points That Show Why This Weekend Isn’t Just A One-Off
- Domestic Opening Weekend: $83M – Conjuring franchise record.
- Global Weekend Total Reported: ~$187M – strong international performance (early estimates).
These figures point to both domestic loyalty and overseas demand for event horror releases, not just a U.S. curiosity.
The Numbers Behind The Shift
| KPI | Value + Unit | Change/Impact |
|---|---|---|
| U.S. Opening Weekend | $83M | Franchise Best Domestic Bow |
| Global Weekend Total | $187M | Strong International Demand |
| AMC Promotional Pass | $66.66 | Drives Repeat Visits And Late Shows |
Strong domestic and global openings suggest renewed audience appetite for event horror this fall.
What This $83M Surprise Means For Your Fall Movie Plans – And For Studios
Expect more horror tentpoles, expanded late‑show schedules, and aggressive theatrical-first strategies from studios chasing the same proof-of-demand. For fans, that means more appointment viewing, midnight premieres, and curated theater events; for streaming subscribers, it may mean delayed on‑platform debuts. Will this weekend’s tally force studios to revive theatrical windows industry-wide – or will streaming deals blunt the momentum?
Sources
- https://variety.com/2025/film/box-office/conjuring-box-office-the-last-rites-sets-opening-weekend-franchise-record-1236510788/
- https://deadline.com/2025/09/box-office-conjuring-the-last-rites-1236508461/
- https://www.hollywoodreporter.com/movies/movie-news/conjuring-last-rites-box-office-record-previews-1236362035/
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Jessica Morrison is a seasoned entertainment writer with over a decade of experience covering television, film, and pop culture. After earning a degree in journalism from New York University, she worked as a freelance writer for various entertainment magazines before joining red94.net. Her expertise lies in analyzing television series, from groundbreaking dramas to light-hearted comedies, and she often provides in-depth reviews and industry insights. Outside of writing, Jessica is an avid film buff and enjoys discovering new indie movies at local festivals.