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Thrill builds as 7 films arrive in November 2025 and already split critics and viewers. These releases matter now because studios front-load awards contenders and family tentpoles into streaming windows before the holidays. Variety, Netflix Tudum and the New York Times list titles from Guillermo del Toro’s Frankenstein to Disney’s Fantastic Four debut on platforms. Which of these should you stream first, and which will spark the biggest water-cooler debate?
Why These 7 November streaming premieres will shake your 2025 watchlist
- Netflix premieres Frankenstein on Nov. 7; major awards buzz and TIFF runner-up attention.
- Disney+ adds Fantastic Four: First Steps after a $521M theatrical run.
- HBO Max gains A24 titles like Materialists on Nov. 7; indie prestige lift.
- Peacock and Apple TV fill holidays with sequels; viewers get family choices by Nov. 12.
The 7 picks that redefine streaming this November for curious viewers
1 – Frankenstein (Nov. 7 on Netflix): Del Toro’s gothic Oscar bid
Guillermo del Toro’s adaptation lands on Netflix after festival buzz; critics call it a serious awards player. If you chase Oscar chatter, this is the one to watch first.
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2 – Fantastic Four: First Steps (Nov. 5 on Disney+): The comic blockbuster that still matters
After a $521M global box office, Marvel’s family arrives on Disney+ with Pedro Pascal and Vanessa Kirby. If you loved the theatrical spectacle, stream it for the visual payoff.
3 – Materialists (Nov. 7 on HBO Max): A24’s rom-drama that crossed $100M
Céline Song’s film quietly hit $100M worldwide and arrives to stir awards-season talk on HBO Max. If character-driven, adult romance is your thing, add it to your list.
4 – Freakier Friday (Nov. 12 on Disney+): Holiday nostalgia with a modern twist
Lindsay Lohan and Jamie Lee Curtis return in a sequel designed for family binges this season. Expect streaming-friendly comfort viewing and lively social reaction.
5 – Eddington (Nov. 14 on HBO Max): Ari Aster’s polarizing dark comedy
Ari Aster’s follow-up struggled theatrically (roughly $14M) but could find a second life streaming. If you like films that divide critics, this one will keep you talking.
6 – Train Dreams (Nov. 21 on Netflix): A quiet best-picture dark horse
Joel Edgerton leads a period drama that critics flagged as a surprise contender; Netflix positioning could boost awards momentum. Stream this when you want a slow, soulful counterprogramming pick.
7 – The Roses (Nov. 20 on Hulu): Cumberbatch and Colman in a domestic storm
Benedict Cumberbatch and Olivia Colman headline a reimagining of The War of the Roses designed for prestige-streaming audiences. If star power matters to you, don’t miss this performance-driven release.
The key figures behind these streaming picks this November
| Metric | Value + Unit | Change/Impact |
|---|---|---|
| Fantastic Four box office | $521M | Big theatrical lift feeds Disney+ interest |
| A24 summer hit gross | $100M | Strong indie performance boosts HBO Max slate |
| Eddington theatrical | $14M | Low box office, possible streaming rebound |
These totals show how theatrical runs still shape streaming attention.
Which of these 7 releases should you prioritize this November?
If you want prestige and awards talk, start with Frankenstein; for family viewing, queue Fantastic Four or Freakier Friday. Which one will you stream first – the Oscar hopeful or the holiday crowd-pleaser?
Sources
- https://variety.com/lists/best-movies-streaming-november-2025/
- https://www.netflix.com/tudum/articles/new-on-netflix-this-week-november-10-2025
- https://www.nytimes.com/2025/11/01/arts/television/movies-tv-shows-november-2025-streaming.html
Jessica Morrison is a seasoned entertainment writer with over a decade of experience covering television, film, and pop culture. After earning a degree in journalism from New York University, she worked as a freelance writer for various entertainment magazines before joining red94.net. Her expertise lies in analyzing television series, from groundbreaking dramas to light-hearted comedies, and she often provides in-depth reviews and industry insights. Outside of writing, Jessica is an avid film buff and enjoys discovering new indie movies at local festivals.